Years ago I played hammered dulcimer. My first instrument was a Dusty Strings, a good instrument, a standard model suitable for the beginner and the advanced player. And it served me well--I began to bond with it as is our nature to bond with the tool through which our soul finds expression.
But after a few years, prowling through a musical instrument shop, I discovered a MasterWorks and found myself falling in love again. I thought its design was beautiful and its sound quality delightful, so I brought it home with me, sold the Dusty Strings and didn't look back.
After years of playing, of meeting other hammered dulcimer players, of hearing a bunch of other makes, my MasterWorks began to sound pretentious and look clunky. I began to appreciate the crisp, simple tone quality of the Dusty Strings and resent the MasterWorks' full-bodied resonance and thick, rounded design. So off I went in another search. I did find my instrument and even though it was larger and a much broader range of notes, it was reminiscent of the Dusty Strings.
And today I'm thinking: what if I'd stuck with the Dusty Strings?
Have a happy Friday,
Dianne
Friday, August 6, 2010
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