When I get wobbly toward a subject begging to be included in a painting, my best bet is to spend some time with it, to get familiar with it. Since the horse stumped me (described in the previous post) I've begun some quick studies from some photos I took that day.
Here's a sample:
These are my notes to myself. They are not meant to be seen, certainly not displayed; rather, they are a way to inform my hand about what my eye is seeing, to search out the spirit of the subject, to gain a familiarity with it. That way I don't approach the subject half-cocked, and risk getting doubtful about what I'm doing.
It's all about paying attention.
Have a terrific Thursday,
Dianne
Thursday, July 22, 2010
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